Title: All Tomorrow's Parties
Author: William Gibson
Reviewer: Amy Harlib
Reviewer URL: aharlib@earthlink.net
Publisher: Berkley Publishing Group; reissue edition
Publisher URL: http://penguinputnam.com/static/packages/us/about/ adult/berkley.htm
Publication Date: Feb. 2003
Review Date: June 2, 2004
ISBN: 0-425-19044-7
Price: $7.99
Author URL: http://www.williamgibsonbooks.com/index.asp
Format: mass market paperback
Topic: fiction
Topic: science-fiction
All Tomorrow's Parties concludes the popular trilogy that includes Virtual Light
(1993) and Idoru (1996) - set towards the close of the 21st Century. As
much character-driven as plot-driven, the story focuses on the approach of
what celebrated, American, cutting-edge, SF writer Gibson calls a 'nodal point', a moment in history when certain
patterns, trends and data associations converge in a critical moment that
can irrevocably change life on earth.
A young man named Colin Laney, down-and-out, (except for his computer
interface), in Tokyo, both blessed and cursed with the ability to read
these nodal connections, possesses this talent brought about by childhood exposure to
an experimental drug. Laney perceives a nodal point coming, potentially
equally calamitous as the previous one in 1911.
Unfortunately so does
megalomaniacal industrialist Cody Harwood, who has also dosed himself with
Laney's drug, effectively creating the node. As part of his plan to
ensure influence over it, Harwood plans to build a network of nanotech
replicators, presently forbidden by most governments, in every one of his
franchised, ubiquitous, world-wide Lucky Dragon convenience stores.
Laney's and Harwood's struggle to influence the outcome of the nodal
points draws in number of characters, many of them 'old friends' from the
previous two books in the trilogy and they all head for predicted 'ground
zero' - the Golden Gate Bridge in San Francisco, now too earthquake-damaged
to support motor vehicle traffic. The famous span, currently transformed
into a huge, self-governed, build-it-yourself shanty-town populated by hip
outsiders, provides the locale for a gathering of: Laney's old pal, former rent-a-cop
Berry Rydell, to whom Laney has given money and a package which conceals a
projector containing the virtual personality, or idoru, Rei Toei; and joining
them, an erstwhile bike messenger named Chevette; the weird,
watch-loving, intuitive, net-surfer Silencio; the mysterious hacker
inhabitants of the virtual Walled City; Harwood's shadowy assassin Konrad;
and motley others. Rei Toei proves pivotal in the conclusion that Gibson
builds up suspensefully only to end it all with a bittersweet, supremely ironic twist.
All Tomorrow's Parties proves a delight to read, filled with Gibson's vividly
conceived near-future scenarios and concepts: the neural implants; the
matte-black cybergear; the nanotech construction materials; the
miscellaneous repurposed cultural detritus - not to mention the whole crew
of appealingly eccentric characters. All this, set forth in the author's
unique and astonishingly textured prose rich in off-the-wall ideas and
extended metaphors amidst the intriguing character interactions and exciting
plot developments represents Gibson in top form - essential reading for SF afficionados. |