SPECTRA PULSE - A World Apart - November 29, 2005
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In This Issue:
Featured author: Elizabeth Bear
Featured titles: WORLDWIRED by Elizabeth Bear
THE MARK OF RAN by Paul Kearney
THE STRANGE ADVENTURES OF RANGERGIRL by Tim Pratt
GLORIOUS TREASON by C. J. Ryan
On the Horizon: Upcoming Releases!
Spectra Debut: The K. J. Bishop and Sarah Micklem double interview!
News & Events
Reader Review contest: FULL MOON RISING by Keri Arthur
THE STRANGE ADVENTURES OF RANGERGIRL: Your reviews!
AN ACCIDENTAL GODDESS: Reader Reviewers Announced!
FEATURED AUTHOR
WORLDWIRED
http://info.randomhouse.com/cgi-bin21/DM/y/emSA0ILuVi0WE0hvz0Ej
Elizabeth Bear
The winner of the 2005 John W. Campbell Award for Best New Writer
returns with this follow-up to HAMMERED and SCARDOWN.
The year is 2063. The Earth has been brutalized - an asteroid flung at
Toronto by the PanChinese government has killed tens of millions and
left the equivalent of a nuclear explosion in its wake. Humanity must
find another option.
Perched above the devastation in the starship Montreal, Jenny Casey is
still in the thick of the fray. Plugged into the worldwire, connected
to a brilliant AI, her mind can be everywhere and anywhere at once.
But it's focused on the mysterious alien beings right outside her
ship. Are they there to help - or destroy? With Earth a breeding ground
for treason and betrayal as governments struggle to assign blame,
Jenny holds the fate of humankind in her artificially reconstructed
hand.
Read an excerpt from WORLDWIRED:
http://info.randomhouse.com/cgi-bin21/DM/y/emSA0ILuVi0WE0jQH0EK
Visit the author's website here:
http://info.randomhouse.com/cgi-bin21/DM/y/emSA0ILuVi0WE0jQI0EL
Read more about Bear in this month's News and Events section.
You Will Want to Read Elizabeth Bear's WORLDWIRED-
If you like...
Greg Bear
David Brin
Lois McMaster Bujold
Chris Moriarty
Karen Traviss
FEATURED TITLES
WORLDWIRED
Elizabeth Bear
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THE MARK OF RAN
Paul Kearney
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THE STRANGE ADVENTURES OF RANGERGIRL
Tim Pratt
http://info.randomhouse.com/cgi-bin21/DM/y/emSA0ILuVi0WE0hv20EX
GLORIOUS TREASON
C. J. Ryan
http://info.randomhouse.com/cgi-bin21/DM/y/emSA0ILuVi0WE0hv30EY
ON THE HORIZON
FELAHEEN
Jon Courtenay Grimwood
January 2006
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AN ACCIDENTAL GODDESS
Linnea Sinclair
January 2006
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THE MYSTERIES
Lisa Tuttle
January 2006
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THE PILLOW FRIEND
Lisa Tuttle
January 2006
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FULL MOON RISING
Keri Arthur
February 2006
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THE MYTH HUNTERS (VEIL, BOOK ONE)
Christopher Golden
February 2006
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DUSK
Tim Lebbon
February 2006
http://info.randomhouse.com/cgi-bin21/DM/y/emSA0ILuVi0WE0jQL0EO
A SECRET ATLAS
Michael Stackpole
February 2006
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BOUDICA: DREAMING THE HOUND
Manda Scott
February 2006
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SPECTRA DEBUT
Response was so positive to last month's conversation between Spectra
authors Marc Giller and Tamara Siler Jones that this month we asked K.
J. Bishop (THE ETCHED CITY, 11/04) and Sarah Micklem (FIRETHORN, 6/05)
to interview each other, in their own words.
>Sarah Micklem: You have many wonderful characters in THE ETCHED CITY,
but the one who bothered me the most, the one I loved and hated, was
Gwynn, the gunslinger and slaver's henchman. You made us so intimate
with him that we are in collusion as he goes about his horrible
business. He doesn't want God to exist, but he does desire magic; he
wants the intrusion of the impossible. Is he the character who
fascinated you the most? Did your ideas about him change as you wrote
your way into his head?
>K. J. Bishop: Gwynn has been in my mind for a long time, and I'd have
to say that yes, he was the character who fascinated me the most. I've
always been attracted to antiheroes and glamorous "dark gentleman"
figures, and Gwynn was always a glamorous character in my mind, but as
I wrote him I gradually saw him as less of an aristocrat and more of a
vulgar middle-class cad - which somehow further endeared him to me. I
discovered his ordinariness. Originally I thought that in the process
of writing the book I'd find out the reason for his being the way he
is, but nothing came to light. I realized that he doesn't have any
excuses, and doesn't want them. Going back to the modern and the
primitive, I initially thought of him as a very modern antihero but
came to understand that despite having a modern intellect, he's a
primitive creature, and he knows it, and he isn't ashamed. He actually
is the savage of the colonial imagination, ironically working for the
colonial side. His psyche isn't divided against itself in the way that
makes us moral beings - and neurotic beings, too. In modern parlance I
guess you could say he suffers from arrested development, but
described in another way, he lives in a state of grace with himself,
if not with the world. I always felt that Gwynn existed on two levels,
the human and the archetypal, or godlike - not just metaphorically, but
literally, within the metaphysical environment of the world in the
book. And gods are like animals, they simply "am what they am."
>SM: In THE ETCHED CITY, the city of Ashamoil encompasses a whole
colonial history: the barbarism of civilization, wealth built on
slaving and gun-running and children laboring in factories until their
bones turn hollow. It's an old tropical city on the edge of a jungle,
full of organic burgeoning and rotting and at the same time sooty with
industry. I felt as though you had mapped it thoroughly, and could, if
you wished, walk us from the quays on the Skamander up the Crane Stair
to mansions in the hills. I wondered if you'd spent a lot of time
wandering around the postcolonial cities of our world. What draws you
to explore this edge where 'modern' and 'primitive' - which you
reference explicitly - meet and transform each other?
>KJB: The colonial past is a recent layer of Australian history, so my
imagination is saturated with a sort of dye from that age, when the
"modern" was completing its invention of the "primitive" and
developing a love-hate relationship with it. I'm also interested in
the nineteenth-century construction of femininity, which is tied to
ideas about the primitive. Aside from that intellectual interest, at a
gut level I think the fascination, for me, is what it was for the
Victorians: it's all about fear and desire. On the one hand, there's
the fear that the modern mind, the most precious possession of the
modern being, rational, free (it likes to think) from superstition,
packed with useful facts, having the qualities we identify with
adulthood, can be lost, like any other possession; and the fear that,
in fact, the modern mind is a sham covering a Conradian "heart of
darkness." On the other hand, there's the temptation to let the feared
event occur, to drop the bundle of one's modern subjecthood, to "go
native" - an idea which is possible only because of our own fanciful
notions of the primitive (it's why modern man needs tiki bars!) And
presumably the natives have their own ideas of the primitive, the
wild, the Other.
>K. J. Bishop: FIRETHORN is full of remarkable realistic detail, not
only in the descriptions of the world but also in action scenes.
There's one battle in particular that made me feel I was watching a
movie. From my own admittedly limited experience, physical fights of
all kinds are hard to write; the choreography's a challenge if you've
made the stylistic decision to describe the goings-on in detail. How
did you go about writing the action scenes in FIRETHORN?
>Sarah Micklem: First of all, I wrote myself into a corner. My narrator
is a spectator, not a participant. She's up on a hill watching the
action. It's chaos down there and she can't tell what's going on.
Besides that, her lover, Galan, has to fight on foot when everyone
else is on horseback, for reasons I won't go into here. I had no idea
how he could survive the fight, but I knew he must. Then there was my
ignorance: I've never studied martial arts or been in combat or a
fight.
So I bought a lot of books on medieval and renaissance fighting, and
sword-fighting in general, and worked my way through them. I read
first-person accounts of battle in oral histories and novels, trying
to get at the experience of being in combat. After I figured out the
choreography, I found it hard to describe all those nearly
simultaneous actions without pages of blow-by-blow description that I
wrote and then cut. Movies have it all over fiction in that regard. On
the other hand, in a book you can depict different states of
consciousness more easily than on film. In the end I resorted to magic
(no more about that, it's a spoiler). I wrote my way out of the
corner, but it took months, a whole summer in fact.
>KJB: The divining compass in FIRETHORN with the twelve gods and their
avatars, is fascinating and quite unusual. Some of the names of the
gods and avatars sound like personal entities - Queen of the Dead,
Hunter, Sailor - while others seem elemental or abstract, such as
Plenty, Foresight, and Iron. Can you say something about how you
developed this system?
>SM: I wanted to set the book within a moral universe that wasn't based
on a dualism. As in Greek mythology, the gods do not line up on an
axis of good and evil. They form a wheel, the circle of the divining
compass, and between them all, they divide and rule the cosmos. But
the divisions aren't neat and simple. There are overlaps, conflicts,
and shifting alliances.
The people of Firethorn's society certainly have ideas about proper
and improper, good and bad behavior. Bad behavior is dangerous, not
because it is sinful and you'll go to hell, but because you might
offend and anger a god, not to mention other people, living and dead.
Sometimes you can't please one god without offending another - tough
luck.
It intrigued me that in some religions a god has different
manifestations or avatars, thereby offering different paths for human
understanding; in Christianity there is father, son, and holy ghost. I
decided each god would be a trinity of male, female, and disembodied
(or elemental) avatars. Twelve seemed a good number of gods. So I had
twelve gods times three avatars - thirty-six avatars in all - way too many
to be convenient for fiction. This is a cautionary tale for those of
you inventing your own cosmos.
I finished the divining compass after I finished FIRETHORN. Some of
the avatars were nameless until then. They weren't involved in the
story so I hadn't given them much thought. I'm working on the sequel
now, and I am still finding out about the gods. Firethorn is a
believer, and I try to think like her. Everything she looks at is in
the domain of one god or another; anything can be a sign.
To read more of this SPECTRA PULSE Q&A between K. J. Bishop and Sarah
Micklem, visit Sarah Micklem's website at http://info.randomhouse.com/cgi-bin21/DM/y/emSA0ILuVi0WE0jQO0ER
NEWS AND EVENTS
>George R. R. Martin's A FEAST FOR CROWS debuts as #1 on the New York
Times bestseller list!
Time magazine raves, 'Of those who work in the grand epic-fantasy
tradition, Martin is by far the best-[He] is a tense, surging,
insomnia-inflicting plotter and a deft and inexhaustible sketcher of
personalities-this is as good a time as any to proclaim him the
American Tolkien.'
>Elizabeth Bear Talks to SciFi.com
The WORLDWIRED author recently talked to SciFi.com about why she
chooses not to write about present-day events. "Books are for telling
stories," Bear said. "Good stories are about something, of course, but
first and foremost they're about the characters and their problems and
should be readable for themselves, ages after the meta-references have
fallen by the wayside."
To read more, click here. (Once page loads, scroll down to read
interview):
http://info.randomhouse.com/cgi-bin21/DM/y/emSA0ILuVi0WE0jQP0ES
>St. Louis Dispatch praises Kim Stanley Robinson's latest
In a review of the timely FIFTY DEGREES BELOW, Dorman T. Shindler
proclaimed, "Could give Michael Crichton a run for his money...should
be required reading for government officials and voters." - St. Louis
Post-Dispatch
>Publishers Weekly on THE MARK OF RAN-
'[A] gritty fantasy swashbuckler-Kearney's crisp, often lyrical
writing shines brightest when his characters take to the sea.'
Upcoming Spectra Author Appearances:
>George R. R. Martin, author of A FEAST FOR CROWS
11/29/05 at 7PM | Page One Books | Albuquerque, NM
READER REVIEWER
FULL MOON RISING
Keri Arthur
http://info.randomhouse.com/cgi-bin21/DM/y/emSA0ILuVi0WE0jQJ0EM
We're looking for twenty people who would like to receive advance
reader's editions of FULL MOON RISING and send us a brief review.
In this exciting debut, author Keri Arthur explodes onto the
supernatural scene with a sexy, sensuous tale of intrigue and
suspense. A rare hybrid of vampire and werewolf, Riley Jenson and her
twin brother, Rhoan, work for Melbourne's Directorate of Other Races,
an organization created to police the supernatural races - and protect
humans from their depredations. While Rhoan is an exalted guardian,
a.k.a. assassin, Riley is merely an office worker - until her brother
goes missing on one of his missions. The timing couldn't be worse.
More werewolf than vampire, Riley is vulnerable to the moon heat, the
weeklong period before the full moon, when her need to mate becomes
all-consuming.
Luckily Riley has two willing partners to satisfy her every need. But
she will have to control her urges if she's going to find her
brother-easier said than done as Riley is confronted with a very
powerful - and delectably naked - vamp who raises her temperature like
never before.
If you want to be a reader reviewer, please fill out the SPECTRA PULSE
Reader Reviewer form:
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by December 6, 2005, and include your full mailing address. Your
information will be used only to send your book and will never be used
for anything else.
We'll send twenty free reading copies immediately thereafter to
randomly selected winners. Reviews are due back to us by January 2,
2006. Reviews that are deemed acceptable to Bantam Dell in its sole
discretion will be posted in the February issue of the SPECTRA PULSE
newsletter and may be used by the publisher and/or author for
promotional purposes, including, but not limited to, posting the
review, in whole or in part, on the publisher's and/or the author's
websites.
Click here for the legal rules:
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Your reviews of THE STRANGE ADVENTURES OF RANGERGIRL are in!
Here are this month's reader reviews of THE STRANGE ADVENTURES OF
RANGERGIRL:
'This book is just plain fun. The characters are bizarre enough
without entering the realm of the unbelievable. The unbalanced Beej
is sympathetic and somewhat loveable. Jane is especially spooky and
unsettling. Marzi is an irresistible character with a sharp mind and
a unique way of looking at the world. Tim Pratt has a fresh and
original voice, and would probably appeal to fans of Charles De Lint
and Tim Powers. I enjoyed this book tremendously, and I hope that
this is just the first novel in a series of Marzi's adventures as a
(more-or-less) real-life Rangergirl.' - Erin M, Los Angeles, CA
'The title says it all in Tim Pratt's debut novel. His writing is
fresh and original as he envisions a sort of Sci Fi western, or
Westworld meets the land of Narnia. But the door to the Medicine
Lands isn't in a cupboard; it's in a closed off room of the coffee
house where Marzi works as the nighttime manager. Marzi is an
unlikely heroine who resists responsibility to fight the evil that is
invading the real world. There are plenty of twists and turns before
the final showdown. I thoroughly enjoyed the book and give it a
definite 'thumbs up'.' - Marjorie K., Saint Paul, MN
'I really enjoyed reading THE STRANGE ADVENTURES OF RANGERGIRL. I read
western, fantasy and sci-fi magazines, and used to go to the movies on
Saturday afternoons to see the old westerns and the Rocketman and
other serials. This book has the same feel to it as the old books and
movies and I think those who will be reading it will find an
appreciation for this style. I'm looking forward to more of Tim
Pratt's work.' - Patsy W., Evansville, IN
"The characters were memorable, particularly the mud woman and her
relationship with the obsessive-compulsive neat freak. (The ironic
humor was another plus.) I enjoyed the vivid scenes retold from the
comic book - I would love to see some issues of the comic Rangergirl. A
powerful message: With their imagination, artists can actually change
the world.' - Natalia M., Toronto, ON, CANADA
'When I received this book I had to start reading it right away. This
was a fun read with great characters. From Marzi to Lindsay to Ray, I
loved them all. Everyone can enjoy this quick read with all the twists
to it.' - Kim V., Kitchener, Ontario, Canada
'Fun and interesting. I was never really sure what was going to happen
next. The characters were very vivid. A fascinating read.' - Sandra H.,
Glendale, AZ
'I really enjoyed reading this book. It's well written. I also enjoyed
being able to review a book that isn't in the stores yet.' - Sandra H.,
Mooresville, NC
'Tim Pratt's novel quickly caught my attention. I liked the plot of
today and the old west mixed together. The characters came to life
and I found myself fully involved. It is a fun and entertaining novel
to read.' - Holly C., Grand Forks, BC
The November 2005 Reader Reviewers Have Been Announced!
They will be reading AN ACCIDENTAL GODDESS by Linnea Sinclair. Look
for their reviews in the January 2006 SPECTRA PULSE.
Becky H., Omaha, NE
Diane P., Cedar Rapids, IA
Bill C., Kansas City, MI
Craig P., Lonoke, AR
Christy M., Houston, TX
Marijo Y., Hackettstown, NJ
Ken M., Ashland, MA
Kathleen M., Tucson, AZ
Sue C., Eugene, OR
Lorraine C., Murrieta, CA
Judi G., Aberdeen, NJ
Dorie L., Edison, NJ
Sandra H., Glendale, AZ
Paul G., Lake Villa, IL
Kimberly R., Hines, OR
Beth D., Staten Island, NY
Peggy M., Crowley, LA
Kathryn B., Everett, WA
Ron G., Wynne, AK
Mig A., Salem, OR
Copyright © 2005 Bantam Dell. All rights reserved.
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